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Founded in 1964, the school has seen 13 of its students earn the designation of master dancer. Her students are steeped in the tradition of the dance, even learning how to notate dances with stick figures to depict the footwork and filing the information away.
Asao, 71, was one of Tsutsumis first students. He said a performance by Japans Grand Kabuki Theatre in 1964 at the then-new Blaisdell Center (formerly known as the Honolulu International Center) inspired him to take up the art form.
Many other schools in Japan, they came to my teacher, and they learn a lot about how to manipulate the fan, she said. The Onoe Kikonojo School would eventually bestow upon her a professional name, Onoe Kikunobu, an honor that allowed her to open her.
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Through a family acquaintance, she met the master of a major nihon buyo school in Tokyo, the Onoe Kikunojo School, and wound up studying there for a year. She has now studied with three generations of masters from that school, which is noted for its.
My focus is different now, said Tatsuno, 67, who is trying to learn a traditional dance about a wounded heron. Back then I could do the mechanics of it. Now, in my twilight years, I want to learn the spirit of it.
Another student, Linda Tatsuno, has been studying with Tsutsumi for only a year. As a youngster she was forced by her parents to go to weekend dance school. Now, after a 45-year break, shes rediscovering her roots through dance.
HONOLULU (AP) Watching a fan in the hands of Gertrude Yukie Tsutsumi is like watching a feather dance in the breeze. She holds it out like a mirror and lets it fall toward her forearm, catching it with a well-timed but casually graceful sweep of.
She began her formal training at age 8 with Bando Mikayoshi, one of the early teachers of nihon buyo in Hawaii. She also studied with Japanese dancers who visited Honolulu, a fairly common practice in the prewar era.
Sensei is so good at the spirits and the mechanics, and she has immense patience. Tsutsumis school attracts people from all walks of life. Shes taught ballet dancers, children and non-Japanese students.