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This gives insight to why this current tour seems to be scaled down a bit compared to her last few tours where she had her ladies fire dancing and hanging from the ceiling.
The newest performer to grace Emilie Autumns side was Moth. Moth is a badass, I absolutely love her. Her character is that of an inmate who believes they can fly and gets locked up in the asylum.
All this adds to the performance-based concert experience. Like previously stated, Emilie Autumn has no live band, but in some ways does not need one. She manages to engage the audience with her theatrics and storytelling with brief interludes of musical numbers.
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The performance is unmatched, however the medium in which it is delivered may suffer due to trying to combine far too many elements into a two hour performance. I really think she needs to either be a strict performance piece or a traditional musical performer.
It comes across jumbled; it is halfway between a concert and a traveling burlesque sideshow. Why allocate a third of a theatrical piece when the whole of the theatrical piece has not been completed to a live audience?
After standing in line in 20 degree weather then hearing that the show would be starting late, I ordered a Long Island Iced Tea, settled into my balcony seat and waited for the show to begin.
She was performing at The Complex, and this time there was no cage fighting during her concert. Seriously, last time I saw her play at The Complex there was a no holds barred, cage fighting throw-down going on next door, clearly audible through the entire.